| Identification | |
| Name of the Museum /Institution
संग्रहालय/संस्था का नाम |
Archaeological Survey Of India , Jabalpur Circle |
| Reference Number / संदर्भ संख्या | CO-JAB-MP-1392352 |
| Title/ Name of Object वस्तु का शीर्षक/नाम |
Shri Chhatrasanvara |
| Type of Object / वस्तु की किस्म | Sculpture - प्रतिमा |
| Dynasty /वंश | Kalachuri - कल्चुरी |
| Period / तारीख/युग | C. 10th - 11th Cent. CE |
| Style / शैली | Kalachuri - कलचुरी |
| Provenance / उद्गम/क्षेत्र | Bheraghat, Jabalpur, Madhya Pradesh |
| Material / सामग्री | Sandstone - बलुआ पत्थर |
| Sub Material / उप.सामग्री | |
| Location at the Museum / संग्रहालय में कहा पर अवस्थित है। | Fixed in the the circular pavilion of Chausath Yogini temple, Bheraghat Jabalpur |
| State/UT राज्य/संघ राज्य क्षेत्र |
Madhya Pradesh |
| Measurement/Weight माप/वजन |
|
| Length(cm) / लंबाई | . |
| Width(cm) / चौड़ाई | 75 |
| Height(cm) / ऊंचाई | 50 |
| Weight(gm) / भार | . |
| Diameter(cm) /व्यास | |
| Thickness(cm)/मोटाई | 44 |
| Depth(cm) /गहराई | |
| Description / विवरण | |
| Description / विवरण | A goddess seated in ardhaparyanka on a kamal platform. Body above the waist is chopped off. Katibandha, anklet, Large garland and transparent lower garments are visible. Bead mala around the body stretched up to the leg. A vahana an animal Horse . on the pedestal two attendants on either side, the right two are highly damaged. The left two, one female with her prominent breast broken and one male as shown with their hands folded in Anjali Mudra. Head chopped off. Two female attendants standing at the feet with garland in their hands one on either side above damaged. The name of the goddess is inscribed on the pedestal in Nagari script of 10th-11th century A.D. perhaps श्री छत्रसंवरा |
| Identification Marks / पहचान चिन्ह | |
| Identification Mark Images / पहचान चिन्ह का छायाचित्र |
|
| Condition / वस्तु की अवस्था | |
| Condition Description / स्थिति का विवरण | |
| Source | |
| From where acquired / अधिग्रहण का स्थान | Chausath Yogini temple, Bheraghat Jabalpur Published Reference 1 |
| © Disclaimer:NMMA may be contacted for any further information. The documented data is under correction and subject to validation. |